Alesia_BH
Habitué
- Messages
- 911
If you expect Chat to be an over mind or an artistic genius you’ll be disappointed. It’s more like an easily confused underling with some savant like abilities. You always need to check its work but there are somethings it’s good at. I’d file it in the useful tool category, assuming you know how to use it. Using it is a skill set all its own. Whether it’s worth learning that skill set varies from individual to individual.
I’ve integrated it into my workflow. That’s been a natural process for me. In grad school I was a math modeler. I worked with Mathematica on a daily basis. There were some things Mathematica could do for me and some things it couldn’t. I learned what it could and couldn’t do and used it accordingly. Chat is no different.
The process has been especially smooth in my case because of the context in which I work. I spend a lot of time in digital nomad co-working spaces. The software engineers use it all the time, as do many if not all of the writers. That’s made the learning curve especially gentle.
As for what it’s good at, I’m still exploring the contours there. I have a test group of human readers who are a representative sample of my target audience. Chat is surprisingly good a anticipating my test group’s reactions, at least in some domains. It’s also good at identifying pacing and structure issues. I usually concur with its judgement on those points, although, like all feedback, you need to critically evaluate what it says.
What it isn’t good at is producing artistically compelling text. I haven’t used a single sentence that its churned out. JustKneller mentioned that he asked Chat to produce a poem on liberty in the style of Walt Whitman and that it was a mess. That tracks. It’s really bad at tasks like that. The more colorful the voice is, the harder Chat fails. If you ask it to write a paragraph in the style of Neil Gaiman it may do an ok-ish job. If you ask it to write like Tom Robbins I can pretty much guarantee a full fledged face plant.
I’ve integrated it into my workflow. That’s been a natural process for me. In grad school I was a math modeler. I worked with Mathematica on a daily basis. There were some things Mathematica could do for me and some things it couldn’t. I learned what it could and couldn’t do and used it accordingly. Chat is no different.
The process has been especially smooth in my case because of the context in which I work. I spend a lot of time in digital nomad co-working spaces. The software engineers use it all the time, as do many if not all of the writers. That’s made the learning curve especially gentle.
As for what it’s good at, I’m still exploring the contours there. I have a test group of human readers who are a representative sample of my target audience. Chat is surprisingly good a anticipating my test group’s reactions, at least in some domains. It’s also good at identifying pacing and structure issues. I usually concur with its judgement on those points, although, like all feedback, you need to critically evaluate what it says.
What it isn’t good at is producing artistically compelling text. I haven’t used a single sentence that its churned out. JustKneller mentioned that he asked Chat to produce a poem on liberty in the style of Walt Whitman and that it was a mess. That tracks. It’s really bad at tasks like that. The more colorful the voice is, the harder Chat fails. If you ask it to write a paragraph in the style of Neil Gaiman it may do an ok-ish job. If you ask it to write like Tom Robbins I can pretty much guarantee a full fledged face plant.
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